![]() three outtakes are shown during the credits: one with Soap telling a joke, the next where Barry asks one of the scouser's for an ice cream and one where a guy runs onto the set.just before the credits, you see Soap telling a whole joke in the car when they are coming back from the job.when Ed is being interviewed by the police you see him finishing explaining the rules of 3 Card Brag to them (as seen at very start).when Big Chris is walking into Harry's office near the end, he meets the man who was on the sunbed near the start of the film.when Barry is talking to the two scousers the dialogue is different.Alan explains to Ed the "history" between JD and Harry.the earlier stages of the card game are shown. ![]() Tom, Soap and Bacon are shown walking through the pub to the bar while Ed is playing cards.the scene where Big Chris goes to see the man on the sunbed is longer.at the very start of film, Ed is shown explaining the rules of 3 Card Brag to two people.It was, but Ritchie blew it by getting in with Madonna (it seems), and staking career capital on putting her in a remake of a Lina Wertmuller film, and then making a film that played as a tribute to Kabbalah. To the film's credit, it knows that its shallow, and Ritchie and company may have felt that it was their reel and in. There's something fun about its heightened reality, but after a while there's a disconnect that comes from something so weightless dealing with violence and crime. In terms of construction, it's masterful, of that there is no denying, but it also feels like spinning plates, as it is so tight that the film feels more like its deigning to show you its cleverness than creating anything more than a comic book version of cops and robbers. He also has an eye for character actors, and at least two, Vinnie Jones and Jason Flemyng have gone on to interesting careers, while. Ritchies camera work is smooth and sprightly, and he has a definite rhythm for slang and profanity in his dialogue. But there's the sense that it's all for laughs and so the more bad people are punished, and the mostly good people emerge relatively unscathed and somewhat unaware of all that was going on around them. But in retrospect, Lock, Stock and Two Smoking Barrels turned out to be much more than that. And that's what the film is about, unintentional collisions and ricochets, and Ritchie orchestrates what is obviously a movie made on the cheap with a surgeon's precision: He moves from one modest set piece to the next. It's a tightly wound piece where everyone pings off the other at some point or another. The labyrinthine plot is not really worth evoking more than this simple summary because there are so many series of crosses and double crosses, and confusions of what should be gotten and why, that to break it all down would get in the way of the fun of the film. To do this they decide to pull a heist on a small-time gang who happen to be operating out of the flat next door. There's also Hatchet Harry's muscle Big Chris (Vinnie Jones) who takes his son little Chris (Peter MacNicoll) with him whilst busting heads. 4K Something wrong Let us know Synopsis A card shark and his unwillingly-enlisted friends need to make a lot of cash quick after losing a sketchy poker match. There's another plot about the stolen guns of the title, which then end up in the hands of the four when they want to enter a life of crime, but all of their plans are matched by other people doing heinous deeds, many of which involves a pot farm run by Rory Breaker (Vas Blackwood), a tough son of a bitch if there ever was one. Moriarty), and when the game goes south, the boys end up in the hole for half a million pounds. In the game they're up against Hatchet Harry (P.H. ![]() The tales from Guy Ritchies take on Londons mean streets continue in this tv adaptation of the hugely popular movies Lock, Stock & 2 Smoking Barrels and Snatch. Jason Statham is Bacon, the brawns of the operation, the street hustler, and Dexter Fletcher is Soap, the straightest of the lot who works as a chef and strives for cleanliness. In Lock, Stock and Two Sips, the lads play reluctant hosts to a crazed hit-man, who has taken it upon himself to bump off Miamis entourage. Nick Moran is Eddie, the young card sharp who needs everyone's cash to play in the big game. LS&2B stars a quartet of then-young British thespians: Jason Fleyming is Tom, the sort of brains of the operation.
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